The Meeting Point | |||||||||||||
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Today: 4/7/2008 Last Updated: 22/6/2008
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Our Fair Trade batiks are linked to, but not bought through, African Arts and Crafts - the ultimate resource for African Arts and Crafts and Educational materials. Our Fair Trade batiks could be described as the " William Morris" or früher Obervolta und sind eine der wenigen Quellen von Fair Trade gehandelten afrikanische Batiken zum Verkauf innerhalb Europas. Batikproduktion ist im Allgemeinen mit Tuechern verbunden, die in Asien hergestellt werden. Batik är en färgningsmetod där ett mönster övertäcks med vax så att tyget inte kan dra åt sig färgen. Det används mest på bomullstyg. De traditionella batikfärgerna är blått, brunt och rött, men man kan få mångfärgad blandningseffekt om man repeterar färgningsprocessen när man tagit bort orginalvaxet och lagt på ett nytt mönster innan man färgar på nytt. Våra batiktryck är skickligt handgjorda på ett traditionellt sätt, som kommer från den före detta franska kolonin Övre Volta, numera Burkina Faso, och från norra Ghana. Batik is a method of dyeing in which patterned areas are covered with wax so that they will not receive the colour. It is mainly done on cottons. The traditional batik colours are blue, brown and red, but a multi-coloured and blended effect can be achieved by repeating the dyeing process several times with the initial wax boiled off or another design applied before re-dyeing. No-one knows exactly when the batik technique was invented, but it has long been known in South East Asia where there are local variations, including those of the Celebes Islands. There the wax is applied with bamboo strips. By the eighteenth century in Java, Indonesia, the local batik technique resulted in a more elaborate patterned batik cloth, and by the 19th century the Javanese had developed the wood block applicator. The Dutch (Indonesia was then part of the Dutch East Indies) imported both the cloth and the batik technique into Europe. Nowadays a lot of the East Asian batik is done by machines designed to simulate these techniques and effects. Our batik prints are hand-printed in the traditional manner and are thus craft items. They come the former French colony of Upper Volta, now Burkina Faso, and also from Northern Ghana. A Rwandan Refugee currently living in South Africa wants to return to Ouganda, her home. To do this she is selling her hand made cards. Through us they are £8.00 for 10 (including postage) or £9.00 (if posted to outside the UK). All monies will go direct to the lady. Jacyntha has one reservation. In her view it is sad that some of the cards have been made using pressed flowers in addition to the artwork. If you do NOT want these included in your package please say so! Miss Afr is being sponsored by Father Harmann Hauser, a priest with the order of the White Brothers, named after the white habit (clothes/uniform) which they originally wore. Father Hauser can be contacted c/o Oak Lodge, 48, Totteride Common, London N20 8LZ. At the Meeting Point we Support the Bushmen of the Kalahari in their fight to stay in their homeland. This group is working near to the fair trade coffee group reported on in USA Today. If you want to buy the cards, or offer other support, please contact the group directly. Small amounts of foreign exchange coming in do go a long, long way in the local economy. Cooperativa Mujeres Unidas ton ganas de Progresar (Mugapro), El Paso, Granada, Nicaragua. tel: 8687634. Botswana has long wanted to reproduce and sell historic postcards. She finds them fascinating! In 1907, when the card illustrated below was posted, the English seaside resort of Clacton-on-Sea was very popular as a holiday destination. A particular point to note is the line of bathing machines pulled up on the shore-line! Ancestry.com has a postcard archive which covers U.S. Historical Postcards from 1901-1960. This database contains cards sent to various individuals throughout the United States between 1910 and 1960, and most of the pictures are of places within the United States. About a third of the postcards include the name, and place or state of the addressee. Both of these items may be used to search this database which is arranged by year and place (city, county, state, or other place name) of the subject of the picture on the postcard. You can also just browse the postcard images. | |||||||||||||
here are a few tips on preserving them taken from:
Recognizable by their shiny metal surface, daguerreotypes are America's first photographs. You have to hold these images at an angle in order to look at them. If you've never seen one, check out the online exhibit at The Daguerreian Society website. Members of this organization are collectors, historians, and admirers of these early images.
No matter how tempted you are to take a daguerreotype apart--don't. The image sits on the surface of the metal plate. If you wipe the plate, you'll destroy the image. Each daguerreotype is one of a kind.
Ambrotypes are a negative image on glass. When backed with a dark-colored fabric, paper, or varnish they appear positive. You can find examples of ambrotypes online at the Library of Congress, American Memory site site by searching for the term "ambrotype."
Ambrotypes are very fragile: the glass is susceptible to breakage, and the backing and photo layer have a tendency to flake off. I don't recommend taking these images out of their case because you can cause damage to the glass and the picture.
Tintypes were extremely popular during the (American) Civil War period. Itinerant photographers travelled with the troops so that soldiers could send pictures of themselves home with their letters. While these metal photographs were commonly known as tintypes, the images are actually on iron. Photographers sold them in a variety of formats and enclosures from cases to paper mats or even alone. It's easy to confuse an ambrotype and a tintype in case, but you can clarify the identification by using a magnet.
These early photographs are amazingly resilient. Most of the tintypes look battered from years of mishandling, yet the image remains visible. Tintypes have a tendency to rust when exposed to water or high humidity, and the varnish coating used to protect them can darken with age. ....
and on a similar theme ...
email: jacyntha@jacyntha.com tel: + 44 208 940 3098